The dream, the film, the drawing


Whether it is the dream work analyzed in Dream Interpretation (figurability, condensation, displacement, regression …) or the mechanisms of the unconscious theorized in the Psychopathology of everyday life (implication of the subject, slip of the tongue) , repression …), Hubert Damisch did not stop looking in Freud’s work for models or impulses to think of the operations specific to the “artistic machine” and to develop a written voice capable of accounting for the complexity of the works, their process as well as their effects.

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