“Only that which was at first able to conceal itself appears”

The desire begins with the demand to live not as an object but as a subject of history – to live as if something actually depended on one’s actions – and that demand opens onto a free street. 

Stéphanie Brossard’s exhibition presented at the Collection Lambert as part of the RENDEZ-VOUS, Inside the Basement program forms the second instalment of her project titled L’intraitable beauté de nos vies sauvages #2 (Wild is the Wind), initiated in 2020 at the FRAC Réunion. It is envisaged as a narrative, both real and imagined, of a…